Categories
Amusements and Thrills

Circus activism: Barnum’s female stars demand right to vote

Women received the right to vote 100 years ago today with the ratification of the Nineteenth Amendment to the U.S. Constitution.

Tens of thousands of women from all walks of life spent hard-fought decades working for this moment. Many of the most prominent suffragettes were wealthy white women of the Fifth Avenue set.

It was their influential voices — added to those of long-time activists, women and girls from the labor movement and women of color from all backgrounds — that convinced the nation that its institutionally ingrained discrimination should end.

Even circus women got into the act.

The famed Barnum & Bailey’s presented an elaborate Cleopatra-themed stage show during its 1912 season, featuring over 1,500 performers. The show had debuted just the week before at Madison Square Garden. Certainly some of its stars — perhaps Cleopatra herself? — participated in the March 1912 suffrage event. 

On March 31, 1912, members of the Barnum & Bailey circus troupe, in town to perform at Madison Square Garden (back in its Madison Square location), decided to put on a very different show.

The female stars of Barnum’s traveling show decided to throw their support behind the suffragist cause. Unfortunately they were not greeted with the praise they deserved — by either the newspapers or the other suffragists.

Madison Square Garden, 1910 (Courtesy Library of Congress)

Modern women activists of the day were happy to see any headlines relating their cause, as long as the environment was a respectable one. The circus was not one of those environs.

Then consider that most newspapers were operated by men and read by men. While some progressive sheets supported suffrage, several chose to cast the cause in a satirical light where possible. The ladies of Barnum & Bailey gave reporters a particularly ripe opportunity for a little spoofing.


On March 31, seventy-five women employed by America’s most famous circus organized an afternoon suffrage rally and invited the press to the world’s first ‘circus suffrage society‘.

How indeed could reporters resist a group of daredevil acrobats and horse wranglers, presenting their cause on the site of caged animals?

It was meant as a solemn pronouncement; reporters mocked it. “They Organize As Man-Eating Hyena Grins, Elephants Trumpet‘, went the Tribune headline, as the circus’s publicity agent “solemnly swore last night with a hand on his heart that the meeting was a real, honest-to-goodness suffrage meeting.” [source]  

This was Barnum territory, after all. Although the great showman had died many years earlier, perhaps after decades of chicanery and misdirection, nobody could take a Barnum photo opportunity with a straight face.

But it was a serious endeavor, led by petite circus rider Josie De Mott (pictured above) and acrobat Zella Florence.

Included in the audience were animal trainers, wire walkers, ‘hand balancers’, dancers, acrobats and even a few strong ladies, including the renown Katie Sandwina, ‘the female Hercules’ (pictured below).

Not in attendance, however, were key members of the mainstream suffrage movement — notably Brooklyn socialite Inez Millholland and the movement’s de facto leader Harriet Stanton Blatch, the daughter of Elizabeth Cady Stanton.

Mrs. Blatch, the New York Times noted, was having tea with her fellow esteemed suffragists at their 46 East 29th Street headquarters. (It should be noted they were only a block away from Madison Square Garden!) However, perhaps recognizing the value of a traveling suffragist show, they did deign to send a representative named Beatrice Jones.


Inez Millholland at a Washington DC suffrage event in 1913. Given her dramatic display on horseback, one might have thought she’d be delighted to entertain the circus women. (Library of Congress)

Clearly flustered by the appearance of the press — the society ladies of the suffrage movement did not consider a circus ring an appropriate political venue — Jones repeatedly asked the ladies if they were serious, then dispensed advice on how to conduct themselves as standard-bearers of the roving suffragist cause.

At one point, the male half of Barnum’s husband-and-wife riding act stormed in and dragged his partner from the meeting. The crowd assailed the interloper with boos and hisses.

After the meeting, De Mott and the other circus suffragists created a dandy of a photo op, moving to a cage and presenting the name of ‘Miss Suffrage’ to a young baby giraffe. The Times coyly suggested the animal was male: “[B]y nightfall he couldn’t abide even the sight of a suffragette.”

The ‘proper’ suffragists acquiesced and eventually did meet with their more flamboyant sisters over tea the following week. The society activists marveled at the vigor of the Barnum ladies.

“It is because they have so much exercise,” one exclaimed, all the while “looking envious at the at the smooth skins and rosy cheeks,” the Times condescendingly added.

Eight years later, however, all these women would earn the right to vote.

Categories
Podcasts Science

The story of Tesla: The spark of invention in Old New York

PODCAST The strange and wonderful life of Nikola Tesla in New York City.

The Serbian immigrant Nikola Tesla was among the Gilded Age’s brightest minds, a visionary thinker and inventor who gave the world innovations in electricity, radio and wireless communication.

So why has Tesla garnered the mantle of cult status among many?

Part of that has to do with his life in New York City, his shifting fortunes as he made his way (counting every step) along the city streets.

Tesla lived in Manhattan for more than 50 years, and although he hated it when he first arrived, he quickly understood its importance to the development of his inventions.

Engraving of Nikola Tesla (1856 – 1943) ‘lecturing before the French Physical Society and The International Society of Electricians,’ 1880s. (Kean Collection/Getty Images)

Travel with us to the many places Tesla worked and lived in Manhattan — from the Little Italy roost where the Tesla Coil may have been invented to his doomed Greenwich Village laboratory.

From his first job in the Lower East Side to his final home in one of Midtown Manhattan‘s most famous hotels.

Nikola Tesla, thank you for bringing your genius to New York City.

PLUS: The marvelous demonstration at Madison Square Garden in 1898 that proves that Tesla invented the drone!

To get this week’s episode, just find our show on your favorite podcast streaming service. Or listen to it here:

Or listen to it straight from here:

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A page from the 1942 comic book Real Heroes, illustrating the life of Nikola Tesla:

Courtesy Quality Comics
Courtesy Quality Comics

Young Tesla in 1885 while still in the employ of Thomas Edison.

Smithsonian Institution
Smithsonian Institution

Mark Twain and Joseph Jefferson in Tesla’s South Fifth Avenue Laboratory. That’s Tesla, blurry, in the background.

Courtesy the Tesla Society
Courtesy the Tesla Society

Tesla’s 1888 lecture at Columbia changed his life. His demonstration dazzled the room of distinguished scientists and professors and particularly grabbed the attention of journalists.

1888
Courtesy Pictures of Infinity

Diagrams of Tesla’s inventions from the 1880s and 90s have an almost otherworldly quality that wouldn’t look out of place in a gallery of modern art.

Internet Archive Book Images
Internet Archive Book Images
3

The Not-so-mad Scientist: Tesla posing with perhaps his most famous prop — a large bulb which could generate light from the human body.

bulb

Tesla in Colorado Springs, 1899. From the caption: “A publicity photo of a participant sitting in the Colorado Springs experimental station with his “Magnifying Transmitter“. The arcs are about 22 feet (7 m) long. (Tesla’s notes identify this as a double exposure.)”

M0014782 Nikola Tesla, with his equipment Credit: Wellcome Library, London. Wellcome Images images@wellcome.ac.uk http://wellcomeimages.org Nikola Tesla, with his equipment for producing high-frequency alternating currents. Inscribed: 'To my illustrious friend Sir William Crookes of whom I always think and whose kind letters I never answer! Nikola Tesla June 17, 1901' Photograph 1901 Published: - Copyrighted work available under Creative Commons Attribution only licence CC BY 4.0 http://creativecommons.org/licenses/by/4.0/
M0014782 Nikola Tesla, with his equipment
Credit: Wellcome Library, London. Wellcome Images
images@wellcome.ac.uk
http://wellcomeimages.org
Nikola Tesla, with his equipment for
producing high-frequency alternating currents.
Inscribed: ‘To my illustrious friend Sir William Crookes of whom I always think and whose kind letters I never answer! Nikola Tesla June 17, 1901’
Photograph
1901 Published: –

A view of Wardenclyffe Tower, Tesla’s grandest attempt of creating a wireless tranmission of electricity.

(From Electrical World and Engineer, 1904)

Internet Archive Book Images
Internet Archive Book Images

From the New York Sun, March 31, 1912: “Tesla’s wireless system for the transmission of intellegence and power involves a number of inventions, all of fundamental character.”

1912

1916: Tesla poses in his West 40th Street laboratory, 1916.

Courtesy Everett Collection Inc., ALAMY
Courtesy Everett Collection Inc., ALAMY
Courtesy Museum of the City of New York
Courtesy Museum of the City of New York
Nikola Tesla at the Hotel New Yorker with King Peter II of Yugoslavia. (Courtesy The New Yorker Hotel)
5

Bryant Park, near the spot of Tesla’s former laboratory and the place where he fed the pigeons.

Courtesy Flickr/Lidija Bondarenko
Courtesy Flickr/Lidija Bondarenko
 

The Nikola Tesla bust in front of St Sava Serbian Orthodox Cathedral. #boweryboys

A photo posted by Gregory Young (@boweryboysnyc) on

For more information

Visit the excellent blog by author Martin Hill Ortiz, deeply exploring the life of Tesla in New York City.

There are many societies devoted to the life and work of Nikola Tesla including the Tesla Memorial Society of New York.  The Oatmeal is behind the effort to turn Wardenclyffe into the Tesla Science Center. Go read up on Tesla at The Oatmeal first, then check out their efforts at the Tesla Science Center.

Wann learn more about Tesla? There’s a few great books on his life including the latest by W. Bernard Carlson — Tesla: Inventor of the Electrical Age. — and Sean Patrick’s Nikola Tesla: Imagination and the Man Who Invented the 20th Century.

Then there are Tesla’s own writings — My Inventions: The Autobiography of Nikola Tesla and The Inventions, Researches and Writings of Nicola Tesla

Categories
Podcasts Politics and Protest

Listening to the Silent Parade of 1917: The Forgotten Civil Rights March

Listen to our podcast on the history of the Silent Parade of 1917 here:


“To the beat of muffled drums 8,000 negro men, women and children marched down Fifth Avenue yesterday in a parade of ‘silent protest against acts of discrimination and oppression’ inflicted upon them in this country, and in other parts of the world. Without a shout or a cheer they made their cause known through the many banners which they carried, calling attention to Jim Crowism, segregation, disfranchisement, and riots of Waco, Memphis and East St. Louis.” — New York Times

The Silent Parade of July 28, 1917, was unlike anything ever seen in New York City. Today it is considered New York’s (and most likely America’s) first African-American civil rights march.

New York had seen its share of protest parades since the start of World War I, but none had featured so prominently the city’s African-American population, gathering in such impressive numbers along New York’s wealthiest street.

This extraordinary procession was organized by the National Association of the Advancement of Colored People (NAACP), a group of concerned black and white activists and intellectuals which had formed less than a decade earlier in New York.

The march was organized in direct response to a horrible plague of violence against black Americans in the 1910s, culminating in the East St. Louis Riots*, a massacre involving white mobs storming black neighborhoods in sheer racial animus.

In Illinois, two sets of riots in May and July 1917 left almost 200 people dead. Rioters burned black neighborhoods, cutting off water hoses and watched as families fled the burning buildings — to be picked off by gunmen.

From the St. Louis Post-Dispatch on July 3:

This massacre was but one of several violent incidents aimed at new black laborers, pointed attacks meant to strike fear in the hearts of black Americans.

The circumstances of World War I exacerbated an already volatile crisis. As W.E.B. DuBois would explain it,

The Negro, attracted by higher wages in the North and repelled by the menace of lynchinig and caste in the South moves in to fill the new labor demand [caused by the war].  The common laborer in the North is caught between the tyranny of exclusive trade unions and the underbidding of blacks. The rest is murder and riot and unrest…. White Northern laborers find killing Negroes a safe, lucrative employment which commends them to the American Federation of Labor.”

W.E.B Du Bois in 1918.

In New York, at a meeting of the NAACP in Harlem, president James Weldon Johnson (at the suggestion of New York Evening Post editor Oswald Villard) proposed an unusual but effective form of protest — an army of marchers along Fifth Avenue, drawing attention to the victims of the East St. Louis riot.

And in an unprecedented decision by the organizers, it would consist only of black marchers.

Underwood & Underwood

New York newspaper reports of the riot passively mentioned the tragic cost to the black residents of East St. Louis; a dramatic march down the city’s most prosperous street — comprised of those very people most likely to be victimized in such riots — would jar the delicate sensibilities of insulated New Yorkers.

This was a fairly radical idea for its time. Decades after the Civil War, most Americans, even in the most progressive states, still looked skeptically at organized black movements. Part of the NAACP’s early legitimacy for many was that it was formed by a mixture of black and white activists.

James Weldon Johnson, one of the architects of the Silent Parade

In 1915, the NAACP (in a crusade led by newspaper editor William Monroe Trotter) protested the release of the film Birth of a Nation, the trailblazing film that positively depicted the Ku Klux Klan while demonizing African-Americans. The protests failed to stop the film’s release but this organized resistance galvanized the NAACP and the black community for future battles.

While the East St. Louis tragedy was the focus of the mournful July 28th gathering, the march was intended as a larger protest against civil rights abuses in the United States. One of many flyers passed around during the march declared :

We march because we are thoroughly opposed to Jim Crow cars, segregation, disenfranchisement and the host of evils that are forced upon us. We march in memory of our butchered dead, the massacre of honest toilers who were removing the reproach of laziness and thriftlessness hurled at the entire race. They died to prove our worthiness to live. We live in spite of death shadowing us and ours.”Â

Below: The organizers marched in front of the women and children. At far right are W.E.B. Du Bois and James Weldon Johnson.

Underwood and Underwood

The thousands of people who marched that day came from virtually every African-American church in New York City and the surrounding area. A drum corps and a troupe of black Boy Scouts vibrantly led the parade, with women and children following behind, garbed in white dresses.

The men, some in United States army uniforms, marched last behind a row of flag bearers, holding representative flags from the United States, Great Britain, Liberia and Haiti.

New York Tribune

There were no chants or rallying cries. The throng remained silent during the length of the parade, a common practice for peace parades but one pregnant with meaning here. The black communities in East St. Louis and in the South had little opportunity to engage in such protests.

New Yorkers, in solidarity, would echo that reverberating silence. (It may also have been prudent for large groups of African-Americans marching along the city’s whitest street to keep themselves calcified.)

The marchers were orderly and stone-faced as they walked down Fifth Avenue — from 57th Street to 24th Street, culminating at Madison Square Park.  They were not allowed to gather there; according to the New York Sun, “When the marchers reached Twenty-Fourth Street, they turned west and were dismissed.”

While there were no chants, political intentions were made known via a series of banners interspersed among the marchers:

‘Your Hands Are Full of Blood’

‘Pray for the Lady Macbeths of East St. Louis’**

‘We Are Maligned as Lazy and Murdered When We Work’

‘From  Bunker Hill to Carrizal*** We Have Done Our Duty’

One ‘controversial’ sign was thrown out of the march. According to the Times, the sign “displayed a picture of a negro woman kneeling before President Wilson and appealing to him to bring democracy to America before carrying it to Europe.” The police intervened, and the sign was removed.

Below: A newspaper illustration that was most certainly used in the offending sign

No other incidents surrounding the march were reported that day. Thousands of onlookers had lined the parade route that day out of curiosity, amusement, pride, anger and joy. Some were shaken to the core.

“[T]he streets of New York have witnessed many strange sites, but I judge, never one stranger than this; among the watchers were those with tears in their eyes. — James Weldon Johnson, The Autobiography of James Weldon Johnson, 1937


FURTHER LISTENING

After you’ve listened to this podcast on the Silent Parade of 1917, check out these past episodes of our show that feature topics referenced in the new episode:


NOTE: The number of marchers so widely varies from source to source that I can safely say that it was between 5,000 and 15,000 marchers. Not exactly precise! Judging from all reports, I would guess the actual number is closer to 15,000.

*East St. Louis, on the Illinois side, is about 15 miles away from Ferguson, the St. Louis suburb on the Missouri side.

**According to author Nikki Brown, the ‘Lady Macbeth’ sign references “an alleged incident wherein at least two white women pulled black women off a streetcar, tore off one woman’s clothing and ‘then took off her shoes and beat her over the face and head with their shoe heels’.”

***The Battle of Carrizal had been fought in Mexico a year before the march. Unlike the battles in Europe, African-American soldiers served with American units on the front lines of this engagement.

Categories
New Amsterdam Podcasts

Land of the Lenape: A Violent Tale of Conquest and Betrayal

PODCAST The story of the Lenape, the native people of New York Harbor region, and their experiences with the first European arrivals — the explorers, the fur traders, the residents of New Amsterdam.

Before New York, before New Amsterdam — there was Lenapehoking, the land of the Lenape, the original inhabitants of the places we call Manhattan, Westchester, northern New Jersey and western Long Island.

This is the story of their first contact with European explorers and settlers and their gradual banishment from their ancestral land.

Fur trading changed the lifestyles of the Lenape well before any permanent European settlers stepped foot in this region. Early explorers had a series of mostly positive experiences with early native people.

With the Dutch settlement of New Amsterdam, the Lenape entered into various land deals, “selling: the land of Manhattan at a location in the area of today’s Inwood Hill Park.

But relations between New Amsterdam and the surrounding native population worsened with the arrival of Director-General William Kieft, leading to bloody attacks and vicious reprisals, killing hundreds of Lenape and colonists alike.

Peter Stuyvesant arrives to salvage the situation, but further attacks threatened any treaties of peace.  But the time of English occupation, the Lenape were decimated and without their land.

And yet, descendants of the Lenape live on today in various parts of the United States and Canada.  All that and more in this tragic but important tale of New York City history.

To get this week’s episode, simply download it for FREE from iTunes or other podcasting services or get it straight from our satellite site.

Or listen to it straight from here:

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We are now producing a new Bowery Boys podcast every two weeks.  We’re also looking to improve the show in other ways and expand in other ways as well — through publishing, social media, live events and other forms of media.  But we can only do this with your help!

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The long road of the Lenape. This 1978 map shows the path of their various relocations across the country in comparison with the relocation path of the Cherokee.

Ives Goddard, “Delaware,” in Handbook of North American Indians, vol. 15: Northeast, ed. Bruce Trigger and William Sturtevant (Washington DC: Smithsonian Institution1 1978)
Ives Goddard, “Delaware,” in Handbook of North American Indians, vol. 15: Northeast, ed. Bruce Trigger and William Sturtevant (Washington DC: Smithsonian Institution1 1978)

Henry Hudson’s interaction with the native people of the area would much later inspire a host of fanciful depictions.

From a 1909 postcard for the Hudson-Fulton Celebration

Hudson Trading With Indians On Manhattan Island
Hudson Trading With Indians On Manhattan Island

From an old textbook:

Courtesy The Baldwin Project
Courtesy The Baldwin Project

“‘Designed and etched for Bancroft’s History of the United States’ Written on image: ‘Sept. 7 1609’

Courtesy NYPL
Courtesy NYPL

From a 1915 textbook ‘A First Book In American History’ — “Hudson’s ship anchored again opposite the Catskill Mountains, and here he found some very friendly Indians, who brought corn, pumpkins, and to-bacco to sell to the crew. Still farther up the river Hudson visited a tribe onshore, and wondered at their great heaps of corn and beans. The chief lived in around bark house. Captain Hudson wasmade to sit on a mat and eat from a red wooden bowl. The Indians wished him to stay all night; they broke their arrows and threw them into the fire, to show their friendliness.

Internet Archive Book Images
Internet Archive Book Images

Behold New Amsterdam!

fortamsterdampostcard

From another text book, this one from 1881:

New York Public Library
New York Public Library

From an 1876 print: ‘Treaty with the Indians at Fort Amsterdam.” Not sure what year this picture depicts but everybody has two legs, so no Peter Stuyvesant!

NYPL
NYPL

A well-known engraving by Aldert Meijer depicts New Amsterdam as being touched by the hand of providence.

NYPL
NYPL

A drawing of the 1926 purchase of Manhattan between the native population and Peter Minuit. Image is from Popular Science Magazine, 1909.

NYPL
NYPL

…clearly derived from

“Peter Minuit and the Swedes purchasing lands of the Indians.” Illustration dated 1890

NYPL
NYPL

William Kieft’s reputation as a vicious tyrant is made apparent here in this 1897 illustration captioned ‘Kieft’s Mode of Punishment.’

NYPL
NYPL

From the Delaware Indians website: “A painting by Lenape artist Jacob Parks (1890-1949), which depicts a Lenape family leaving their home on their reservation in Kansas in 1867. This area had been their home for over thirty-five years, and now the government told them they had to move to Indian Territory (now Oklahoma).”

The Smithsonian National Museum of the American Indian is currently living in the Alexander Hamilton U.S. Custom House. It’s a FREE museum so you should stop in anytime you’re in the Battery Park area.

custom-house

FURTHER READING

The First Manhattans: A History of the Indians of Greater New York by Robert S. Grumet

The Island At The Center Of The World by Russell Shorto

The Delaware Indians: A History by  C.A. Westanger

Native New Yorkers: The Legacy of the Algonquin People of New York by Evan T. Pritchard

The Official Site of the Delaware Tribe of Indians

Lenape Lifeways: An overview of Lenape life and customs

Removal History of the Delaware Tribe

FURTHER LISTENING

After you’ve listened to this show on the history of the Lenape, check out other shows related to this episode:

Categories
Amusements and Thrills Film History

Come to the Airdome! Over 100 years of outdoor movies in NYC

It may be some time before we all get to truly enjoy the inside of a movie theater again. Hopefully soon!

But outdoor movies — in particular, drive-in movies — have had a bit of a renaissance, a socially distanced way to enjoy blockbusters on a big screen. Mommy Poppins has a great round-up of all the outdoor drive-in movie options in New York City and the surrounding area.

Watching movies outdoors is tradition much older than you think.

At an outdoor movie theater in Brighton Beach, 1920. (MCNY)

Yes, there were outdoor (or open air) theaters showing films almost as soon as the medium became popular.  

This is not terribly surprising. There were already outdoor playhouses for theater and vaudeville, and, in an era of over-crowded tenements and no air conditioning, any reason to sit outside on a nice summer’s night seemed practically luxurious.

An advertisement for a rare Midtown open-air theater.  The lights of Broadway and street noise would have been a serious impediment. 

One drawback outdoor movie lovers deal with today is the loud city interfering with the sound of the movie.  Not so then; the city might have been loud, but the movies had no sound.  

It was a purely visual sensation, a thrilling entertainment light show under the moonlight.

Early outdoor theaters in New York, sometimes called airdomes, were not usually in city parks, but in abandoned lots or open spaces in upper Manhattan.  

Here’s a description of an airdome from a 1914 exhibition guide:  “An airdome is simply an outside moving picture show that is run on practically the same lines as the old summer garden, and is therefore essentially a fair-weather show, although a few airdomes are equipped with pavilions.”

Airdomes were designed to be temporary although you did need a permit from the city to operate one. Other than that, anybody could do it! “Nothing elaborate …is necessary for a successful airdome,” said the guide. “The chairs and tables may be of the ordinary kitchen variety.”

An advertisement for two Brooklyn airdomes — in Coney Island and Prospect Heights (Brooklyn Daily Eagle)

From surveying various newspapers from the 1910s, it appears most airdomes were located either in upper Manhattan and the Bronx (where there were more open lots) or in Coney Island (where the masses went for recreation).

Before 1915, movies were one-reelers, quite short, and often featured alongside live acts as part of a vaudeville routine.  This airdome (listed in the July 1909 New York Sun) was typical of the day:

Outdoor movie theaters were so prevalent in the 1910s that, during planned war time electrical blackouts in 1918, they were specifically mentioned as a “bonafide food and entertainment establishment” alongside “roof gardens and outdoor restaurants.”  [source]

But as with modern outdoor theaters, sometimes reality elbows its way into the picture.  

One of the Bronx’s most prominent open air moving picture theatres was the Nickelet (at Tremont and Prospect Avenues), presumably named for the admission price.  

One evening in June 1913, audiences witnessed a terrifying sight — a woman burning to death in a building adjacent to the theater lot.  Audience members scrambled to her rescue to no avail.

The transient nature of the airdome — and the ability for anybody with a license to have one — did cause friction at times.

During the spring of 1909, in the Long Island town of Freeport, a Brooklyn man enraged the town when he set up an airdome there even though he was not a town resident.

The airdome never went away of course.  But the experience paled in comparison to the grand delights of the movie palaces, especially when air conditioning technology came along.  

They eventually died out, along with the rooftop garden, in the 1920s, only to return later in the century when sound and projection technologies allowed for a more enjoyable evening at the movies.

And now, ladies and gentlemen, I hope you’re reading this outside! Create your own airdome experience and watch this film — Charlie Chaplin’s Sunnyside — enjoyed by Brooklynites over 90 years ago in an outdoor moving picture theater:

Categories
Amusements and Thrills Health and Living

The Bowery Boys New York City swimsuit edition, 1880-1920

 The notion of organized ‘ocean bathing’ — actually going into the water for health, relaxation and enjoyment — was really a 19th century invention, first popularized in the United States during the 1830s at the Marine Pavilion on the Rockaway Peninsula.

Bathing beauty: Diver Maggie Ward prepares for a jump into the waters of Coney Island, in the summer of 1888

For propriety’s sake, people would enter a bathing hut hitched to a horse and ride the container as it was backed into the water, exiting from the hut in their full-body swimming apparel only when safely immersed in the water. No risk of seeing wet fabric clinging seductively to the human form!

Fifty years later, bathers would dare walk to the beach sans horse-drawn hut. But their beach apparel still matched the modesty of their regular wear.

Here are a few examples of garments — for sunbathing, swimming or just relaxing — worn at some of New York’s most popular beaches of the late 19th-early 20th century.

Why needs a bikini? Daring ladies risk the surf in regular wear on the Rockaway beachfront, 1897 (Courtesy Life Magazine)

Serving up shenanigans in the waters of Brighton Beach, 1886
Three female athletes, readying for a ocean swimming match out at Coney Island, await the competition with a few oddly fully clothed men, 1887 (Life Magazine)
Classing it up a little with the ‘sand crowds’ along the Midland Beach boardwalk in Staten Island, no date, but probably between 1900-1910. (New York Public Library)
The dapper sea threads adorning the trendy beachgoers at Long Beach, 1882. Okay, this is technically in Nassau County, not New York City proper, but how could I not give these styles a showcase? (New York Public Library)
Check out little Minnie Pearl and her fine hatted friends at Rockaway, date unknown. (New York Public Library)
Frolicking in the sand in Far Rockaway, 1897. In the distance is a Hot Baths pavilion. (Courtesy Museum of the City of New York)
A dynamic duo hitting the beach of Far Rockaway, 1896. (Courtesy Museum of the City of New York)
Another image of Far Rockaway, 1897. featuring a whole array of bathing-suit options. (Courtesy Museum of the City of New York)
Bathers in black luxuriate in a swimming hole in Pelham Bay, 1903 (New York Public Library)
And finally, I’m not quite sure this avant garde look ever made it onto the beach. But if you want to look like you’re floating over the beach without legs, why not try these camouflage beach leggings, advertised in Harper’s Magazine in September 1919? (New York Public Library)
Basking in the surf at Midland Beach, 1898 (Courtesy Museum of the City of New York)
Categories
Adventures In Old New York

The Great Fire of July 19, 1845: Lower Manhattan in Flames

The devastating results of the monstrous Great Fire of 1835 helped change the course of Manhattan — hastening the residential migration up the island, rewriting the architectural nature of downtown and essentially erasing the past. There would never be another fire of such intensity and magnitude.

But New York didn’t suddenly become fire-proof.

In fact, ten years later came another massive blaze, in almost exactly the same place, that threatened to halt downtown’s rebirth before it even began.

Some distinct circumstances set it apart from the prior, more destructive blaze.

It occurred before the crack of dawn on Saturday, July 19, 1845, on the third floor of an “whale oil store” on New Street — only a couple blocks from where the Great Fire of 1835 had started.  

Normal summertime temperatures, sunlight creeping onto the horizon, and an influx of people going about their early morning business likely might have ensured that the blaze would have been swiftly contained.

Unfortunately, a warehouse owned by the merchants Crocker & Warren, just a block away at 38 Broad Street, was filled with a new shipment of saltpetre, used for the manufacture of gunpowder.

Fire wafted in through an opening in one of the store’s open iron shutters, and the result was a series of cannon-like bursts of smoke and fire, almost like a volcano, smashing into buildings across the street.

It culminated in a terrible, final explosion, completely engulfing the block. The explosion was heard as far away as Sandy Hook, New Jersey.

A breathless account in the New York Tribune prints this description — “an amphitheater of blood-red flame”:

An account from 1888 described it as:

“an immense body of flame… it instantly penetrated at least seven buildings, blew in the fronts of the opposite houses on Broad Street, wrenched shutters and doors from buildings at some distance from the immediate scene of the explosion, propelled bricks and other missiles through the air, threw down many individuals who had gone as far as Beaver Street, spread the fire far and wide, so that the whole neighborhood was at once in a blaze, and most unfortunately covered up the [fire company’s] hose…. After this the firemen could with difficulty obtain any control over the conflagration.”

This new blaze spread south, down as far as Bowling Green, in total destroying between 300 and 350 buildings, most of which had been partially damaged by the blaze ten years before.

An on-the-spot report from the Evening Post, July 19, 1845, identifying 268 buildings destroyed. Other estimates would count many more. (courtesy newspapers.com)

The financial cost to the city was great, although significantly less than that of the blaze of 1835, somewhere between $6 and $10 million.

In this Currier & Ives lithograph, the serene fountain in Bowling Green as flames consume buildings all around it.

A guide book from 1877 assesses the damage at $7 million, but interestingly attributes the rebuilding of the affected blocks to a “constant influx of gold from the seeming exhaustless resources of the El Dorado and the Pacific.”

This fire might have grown to swallow up all of downtown had the Croton Reservoir not been completed a few years before, providing a steady stream of water to put out the flames.

However, perhaps due to the awful and sudden explosion, the fire of 1845 bests that of the 1835 inferno in one unfortunate statistic: the number of fatalities.  

Where only two people had died in the larger fire, at least 30 people died that July morning, including a few volunteer firefighters like lawyer Augustus L Cowdrey, whose body was never found.

It’s through Cowdrey’s memory that you can actually find a reminder of the 1845 fire in downtown Manhattan.  

In the graveyard at Trinity Church on Broadway and Wall Street sits a tall obelisk, a fireman’s memorial engraved with the names of many fallen fighters of the 19th century, including that of Cowdrey.

Categories
Adventures In Old New York

Firecracker Lane: New York’s explosive shopping district

Looking for a healthy assortment of fireworks to ignite for the Fourth of July holiday? In New York, from the late 19th century until the 1930s, one needed to look no further than one of the city’s most heavily trafficked areas near City Hall.

Firecracker Lane was a short row of fireworks dealerships that sat on Park Place between Broadway and Church Street, a couple blocks away from the old Astor House and the congregants of St. Paul’s Chapel.

12 Park Place, one of the prominent retailers of explosives along ‘Firecracker Lane’.  James Pain was known as one of the world’s greatest pyrotechnists.  Today the Pain name lives on in a UK fireworks company. (Wurts Brothers, courtesy MCNY)

As questionable as that might sound,  fireworks were actually quite common on the streets of New York in the 19th century.  And Park Place was New York’s official ‘fireworks mart‘, specializing in “celebration goods,” even well into the years that its new neighbor, the Woolworth Building, towered over its shelves of fanciful explosives.

From the New York Tribune, June 30, 1901

The proprietors of Firecracker Lane could attest to their shops’ safety.

“Fireworks are not made now as they were years ago and for that reason there is little danger,” said one shop owner, adding, “A fire in a fireworks store when once started will make good headway in short order, but there will be no great explosion, no blowing down of walls, nor wiping out of buildings…” What a relief!

Coincidentally, both the Great Fire of 1835 and its modest cousin the Great Explosion of 1845 both ignited many decades before just south of this area.  So proprietors here made doubly sure to reassure people that such conflagrations could never happen because of their merchandise.

Below: Union Square under the sparkle of fireworks on July 4, 1876 (NYPL)

But it was another explosion that was on the minds of New Yorkers during the 4th of July 1901. Just a couple weeks before, across the water in Paterson, NJ, a fireworks factory exploded, killing 17 people who lived in the tenement above.

“So great was the force of the blast,” reported the New York Times, “that a boy playing in the street a half a block away was lifted from his feet and hurled against an iron fence, and had one of his legs broken.”

The Paterson tenement, destroyed by an explosion in the fireworks factory in the building. (Courtesy Paterson Fire History)

For this reason, people started avoiding Firecracker Lane, getting to the elevated train station by going the long way around, avoiding the boxes of potentially combustible merchandise stacked along the sidewalks.

Perhaps they were wise to do so. In July 1903, in front of one particular establishment, the Unexcelled Manufacturing Company, at 9 Park Place, a box ignited, showering the street with a terrifying display of rockets and smoke.  

“[T]he contents, consisting of rockets, firecrackers and several small bombs, went off with a noise that almost equalled that made by Pain’s destroying of Pompeii [referencing a popular Manhattan Beach attraction].”

These Firecracker Lane establishment had larger plants in rural areas like Staten Island, but that did not minimize the danger. In 1907, the plant owned by one Park Place shop exploded in Graniteville, Staten Island, killing two children.

Workers (and their families) on a float in New Jersey, representing the Unexcelled Manufacturing Company. During World War I, the company also manufactured signal rockets, flares and other wartime equipment. (Courtesy Great War Postcards)

Believe it or not, you could still buy fireworks on Park Place as late as the 1930s.

However the once-bustling Firecracker Lane had been whittled down to just two shops — the Unexcelled Manufacturing Company and Pain’s Fireworks Display, owned by the very man who been responsible for the afore-mentioned Pompeii display, thirty years earlier!

By this time, the city began cracking down on the usage of fireworks, fueled by reports of hundreds of fireworks-related injuries filling city hospitals during Independence Day festivities.

 The old Park Place establishments, forced to sell to an ever decreasing number of small towns where fireworks remained legal, could not withstand the scrutiny and eventually closed.

The sale and possession of fireworks were officially prohibited in the state of New York in 1940. 

Who protested the loudest? The town of Graniteville, Staten Island!  

By 1940, it was a leader in American fireworks production;  it had even produced displays for the 1939-40 New York World’s Fair (pictured below).

But after another terrible explosion here in 1942 killed five people, the factory’s days were certainly numbered.  

By 1945, the last of New York’s fireworks factory shut for good.

The World’s Fair of 1939-40 (NYPL)
Categories
Black History Podcasts

Seneca Village and Other Stories of New York’s Forgotten Black Communities

PODCAST The history of African-American settlements and neighborhoods which once existed in New York City

Today we sometimes define New York City’s African-American identity by the places where thriving black culture developed – Harlem, of course, and also Crown Heights and Bedford-Stuyvesant, neighborhoods that developed for groups of black residents in the 20th century.

But by no means were these the first in New York City. Other centers of black and African-American life existed long before then. In many cases, they were obliterated by the growth of the city, sometimes built over without a single marker, without recognition.

This is the story of a few of those places.  From the ‘land of the blacks‘ — the home to New Amsterdam and British New York’s early black population — to Seneca Village, a haven for black lives that was wiped away by a park.

From Little Africa — the Greenwich Village sector for the black working class in the late 19th century — to Sandy Ground, a rural escape in Staten Island with deep roots in the neighborhood today.

And then there’s Weeksville, Brooklyn, the visionary village built to bond a community and to develop a political foothold.

In this collection of short historical stories, Greg welcomes Kamau Ware (of the Black Gotham Experience) and Tia Powell Harris of the Weeksville Heritage Center to the show.

The episode is a rebroadcast of a show which first aired on June 9, 2017. Stay tuned to the end of this show for some newly written material and an update on the Black Gotham Experience and the Weeksville Heritage Center.

To get this week’s episode, just find our show on Stitcher or your favorite podcast streaming service. Or listen to it here:

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We are now producing a new Bowery Boys podcast every week. We’re also looking to improve and expand the show in other ways — publishing, social media, live events and other forms of media. But we can only do this with your help!

We are now a creator on Patreon, a patronage platform where you can support your favorite content creators.

Please visit our page on Patreon and watch a short video of us recording the show and talking about our expansion plans.

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We greatly appreciate our listeners and readers and thank you for joining us on this journey so far.

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Our thanks to Weeksville Heritage Center and Black Gotham Experience. Visit their websites for further information about upcoming events and programs. In addition please check out the Sandy Ground Historical Society for information about this important site in Staten Island.

Weeksville is hosting a weekend of Juneteenth events. Please visit their website for further information:


Check out the Black Gotham Experience website for information on online courses starting in July. And become a member to join in their work as BGX heads towards its 10th anniversary.


Three boys from Sandy Ground, Staten Island, circa 1912.

Staten Island Historical Society

More information about the Black Gotham Experience here, including a list of walking tours.  Check out the websites for Weeksville Heritage Center and the Sandy Ground Historical Society for more information about visiting hours and tours.

This map of Seneca Village was made by Andy Proehl illustrating what the settlement looked like in the years before its destruction.

Courtesy Andy Proehl/Flickr

The approximate area via Google Maps. The Great Lawn now sits on the spot where the reservoir is.

The approximate area of Little Africa. The map is from 1889.

NYPL via Greenwich Village Society of Historical Perseveration

Richard Hoe Lawrence and Jacob Riis’s images of a “Black and Tan” dive bar on Broome Street near Wooster Street, 1890.

Courtesy Museum of the City of New York
Courtesy Museum of the City of New York

Minetta Lane, circa 1900.

MCNY

The approximate location of Weeksville, Brooklyn

Wikipedia
Brooklyn Public Library
Halloween party by photographer and Weeksville resident Alexander Moore. [PHOTO: PERCY F. MOORE COLLECTION, COURTESY OF THE 5TH OF JULY RESOURCE CENTER FOR SELF-DETERMINATION & FREEDOM, WEEKSVILLE HERITAGE CENTER]

The three surviving houses today

The picture at top features an African-American family posed in front of the John Brown Homestead in Torrington, Connecticut, circa 1890s-1900. I particularly love this picture because the house is reminiscent of the Weeksville houses and those that were in Sandy Ground.

Connecticut Historical Society


FURTHER LISTENING

After you’ve listened to this episode on Seneca Village and New York’s forgotten black communities, check out these past Bowery Boys episodes about aspects of New York City history featured on this show:

Categories
Amusements and Thrills

The fire at Barnum’s American Museum 155 years ago

One hundred and fifty-five years ago (on July 13, 1865), New York City lost one of its most famous, most imaginative and most politically incorrect attractions.

When P.T. Barnum opened his museum in 1841, the kooky curiosities contained within the building at the corner of Broadway and Ann Street — at the foot of Park Row — were simply reconstituted properties from other museums.

But he soon expanded the collection to include living spectacles, both human and animal, become both the greatest show and the greatest side-show on earth.

From his lilliputian stars Tom Thumb and Commodore Nutt to the unfortunate white whales contained in water tanks in the basement, Barnum’s American Museum was New York’s destination for the fascinating and the weird.

Millions would visit its corridors during its two and a half decades of operation. It was so renown that it was even a target of attempted sabotage during the Civil War.

Below: A rare photo of Barnum’s American Museum, taken in 1858

Taken 1858
Taken 1858

At around noon on July 13, 1865, the building quickly succumbed to “the fierce tooth of fire,” causing the greatest pandemonium that New York City had ever seen.  I must give way to some of the press reports of the day, as they best capture the drama:

New York Times: “Probably no building in New-York was better known, inside and out, to our citizens than the ill-looking ungainly, rambling structure on the corner of Broadway and Ann-streets, known as the American Museum, where for more than twenty years Mr. Barnum has furnished the public with a wonderful variety of amusements.”

Below: The street scene at the cross-section of Broadway and Ann Street, in 1860. A sign advertising Barnum’s snake collection can be seen on the museum.

Courtesy Internet Book Archive
Courtesy Internet Book Archive

New York Sun: “About half past twelve o’clock yesterday the Engineer rushed up from below announcing that his room was on fire, and about the same time immense volumes of smoke permeated the Ann Street end of the building.  [K]nowing that the immense whale tank was directly over the spot where the fire had begun to make headway, attempted to knock a hole in the huge reservoir.”

Christopher Pearse Cranch. Burning of Barnum's Museum, July 13th, 1865, 1865. Chromolithograph. Eno Collection Miriam and Ira D. Wallach Division of Art, Prints and Photographs, The New York Public Library
Christopher Pearse Cranch. Burning of Barnum’s Museum, July 13th, 1865, 1865. Chromolithograph. Eno Collection Miriam and Ira D. Wallach Division of Art, Prints and Photographs, The New York Public Library

The occupants of the tanks were doomed.  “‘[T]wo whales, imported, at a cost of $7,000, from the coast of Labrador,’ whose sportive plunges and animated contests of affection afforded constant amusement to hundreds of spectators, [was] a pregnant contrast to the fearful death by roasting which they so soon thereafter met.”

The fire spread rapidly, quickly filling the upper floors with smoke.  Firemen burst in from the Ann Street side and quickly attended to patrons who had collapsed or were too confused in the immense labyrinth of bizarre objects to escape.

1

A fireman named William McNamara is credited with single-handedly evacuating many patrons of the museum, not to mention some of the performers who regularly lived there.

From the New York Sun: “Knowing that [some performers] occupied apartments on the third floor, he rushed thither and burst open the doors. Finding the rooms empty he ascended to the next floor and succeeded in bringing down the ladies assembled in the dressing rooms there — a Miss Swan, the Giantess, and Miss Zuruby Hannus, the Circassian girl.”

Below: Anna Swan, ‘the Giantess’ who lived at the museum, was successfully rescued

swan

Many of the wax figures from the third floor were hurled out the windows. One peculiar item captured the imagination of the crowd — the wax depiction of Jefferson Davis, dressed in a woman’s petticoat.  (It was rumored that the former president of the Confederacy has attempted to escape dressed as a lady.)

NYT:  “One [rescuer] had Jefferson Davis’ effigy in his arms and fought vigorously to preserve the worthless thing, as though it were a gem of rare value. On reaching the balcony the man, perceiving that either the inanimate Jefferson or himself must go by the board, hurled the scarecrow to the iconoclasts in the street. As Jefferson made his perilous descent, his petticoats again played him false, and as the wind blow them about, the imposture of the figure was exposed.”

NYS: “When the Jefferson Davis petticoated figure was recognized by the crowd, it was seized, kicked, knocked and finally hanged to an awning frame [in front of St. Paul’s Church], amid the derisive and contumelious epithets of the persons engaged in this pastime.”

More seriously a great number of artifacts from the Revolutionary War were incinerated in the fire. “Valuable mementos of Washington, Putnam, Greene, Marion, Andre, Cornwallis, Howe, Burr, Clinton, Jefferson, Adams, and other eminent men which should have been carefully stored in a fire-proof vault, yesterday smoldered in the heat….” [NYT]

barnum's museum burns 1865

The museum’s impressive collection of taxidermy — monkeys, lions, elephants, zebras — were swallowed up by smoke and collapsed into the inferno.

But the museum also had a great many living animals — snakes, pigs, dogs, and even a kangaroo and an alligator. And, of course, a great many monkeys — “big monkeys, little monkeys, monkeys of every degree of tail, old, grave, gray monkeys, young, rascally, mischievous monkeys, middle-aged, scheming monkeys, and a great many miserable, angry monkeys.” Most perished in the flames although some escaped into the streets, some never to be found again.

Below: This is Harpers Weekly’s illustration of Barnum’s second fire — see below — but could have tragically captured the events on July 13, 1865.

Harpers Weekly
Harpers Weekly

Remarkably, nobody humans died in the blaze. In fact, few wax depictions of humans perished as many took to rescuing wax figures thinking they were alive.  The fire spread to several surrounding buildings, and soon the entire block was engulfed in flame.

NYT:  “The roof of the Museum had now fallen, and the interior of the building was like the crater of a volcano. A stream of heated air issued from the top, and was borne eastward by the breeze directly over the block, carrying with it light articles, pieces of burning wood, shingles ….

At 1:30 came a crash resounding like the explosion of a powder magazine. The whole wall on the Ann-street side had fallen. A cloud of dust and smoke filled the air, making it dark as twilight, and rendering it impossible to descry objects at short distance.”

Harpers Weely
Harpers Weekly

Notable among the surrounding buildings that were damaged was the famous Knox the Hatter at 212 Broadway. Fortunately for the fate of New York,  the Croton Aqueduct water system had been installed two decades earlier, allowing the blaze to be put out with some speed, preventing a repeat of the Great Fire of 1835.

There was a bit a looting, including “two men dressed as soldiers [who] were seen coming out of the shoe-store in Ann Street, each with five or six pairs of shoes under their coats.” And there were false reports that the lion has escaped and was running through the streets.

For years after, people mourned the loss of Barnum’s collection, truly among the greatest in New York City up until that time. Â Barnum attempted to relaunch the museum at 539-541 Broadway. but it, too, was destroyed in a fire (pictured below).

Then, in 1871, he leased a train depot and called it Barnum’s Monster Classical and Geological Hippodrome.  (It would later morph into the first Madison Square Garden.)

Finally he just decided to take his collection of acts on the road forming a traveling circus in 1881 with ringmaster James Anthony Bailey.

While the world of entertainment would be changed by their collaboration — Barnum and Bailey’s Circus — most would consider the old American Museum as Barnum’s greatest achievement.

Below: Barnum’s second museum destroyed by fire, which gutted the building on a cold day

Harpers Weekly
Harpers Weekly

For more information, we have a few Barnum-themed podcasts that you might enjoy:

Categories
Revolutionary History

Fort Tryon Park: The breathtaking park in Manhattan named for an American enemy

Ask any New Yorker at random where the site of Fort Washington once stood, and chances are your query will be met with a furrowed brow, followed by frantic tapping on a smartphone. (ANSWER: It was located on the site of today’s Bennett Park in Washington Heights.)

But ask about Fort Tryon, and chances are better that they could point it out on a map.

Fort Tryon Park not only hosts the renowned Cloisters museum, but it’s also one of the lushest and most romantic spots in Manhattan, with dramatic outlooks over the Hudson River and sweeping views of the Palisades.

Photo/Greg Young

This breathtaking view is no accident. Along with buying the Cloisters and the land that would become Fort Tryon Park, J. D. Rockefeller, Jr., also bought hundreds of acres along the New Jersey waterfront to preserve them and the view.

This is America the Beautiful at its finest.

Curious thing though.

The park is named for a vicious British general who fought against George Washington and the Continental Army.

Museum of City of New York

Its name is taken from Sir William Tryon (1729-1788), the last governor of the Province of New York, who led British forces to burn and plunder civilian outposts throughout New England during the Revolutionary War.

He was a debonair monster, perhaps best known, as major general of the British army, for authorizing vicious raids against civilians in Connecticut in 1779.

From Elias Benjamin Sanford’s history of Connecticut:

“The work of pillage and destruction now commenced in earnest, and large quantities of public stores were removed to the street and burned. The Soliders drank so freely of liquor which they found in one of the buildings that many of them were in a condition of beastly intoxication. The next morning was the sabbath but Tryon gave orders to continue the work of firing the dwellings and business places of all persons except those who were know to be loyal to the king.

Having finished the work of destruction they left innocent women and children without food or shelter….”

Below: More peaceful views courtesy the park, 1932

MCNY

And yet the name has, by tradition, stuck to Fort Tryon Park, a haunting reminder of the violence of 1776 which once marred this land. It is here that one can best imagine the absolute chaos of those early revolutionary days, nestled in scenes of picturesque natural beauty.

Wander the meandering paths and you’ll come across several other mementos of long-ago times, including a bronze plaque to the memory of Margaret Corbin (1751-1800), considered the first woman to see active battle in the Revolutionary War and the first to receive a military pension after the war.

For more information on the history of the Cloisters and Fort Tryon Park, check out our podcast on the subject (Episode #96)

The above is an expanded excerpt from our book The Bowery Boys Adventures In Old New York, now available at bookstores everywhere.
Categories
Film History

The first film ever made outdoors in New York – May 4, 1895

Ever wonder what the very first movie ever shot in Manhattan was? It also happens to be the first American film ever shown to a paying movie audience.

Woodville Latham and his sons Otway and Gray Latham had invented the Eidoloscope projector (also called the Pantoptikon), running very crudely like a film projector today. However its image size was very small, about the size of a small TV set.

The Latham brothers had debuted test images to the press. But their real test of this device was to film something live and then display it a short time later.

New York Sun, May 5 ,1895 (Newspapers.com)

So on May 4, 1895, the brothers filmed a boxing match on the rooftop of Madison Square Garden, then on 27rd Street and Madison Avenue.

The competitors were ‘Battling’ Charles Barnett in the ring with Young Griffo (pictured below), a legendary Australian boxer who was a rather chaotic presence in the sport.

The match was actually a re-match, the recreation of an actual boxing match between the two athletes which had occurred that morning at the Garden.

Madison Square Garden, 1900, George Hall (Courtesy Museum of the City of New York)

Sixteen days later, that four-minute film, Young Griffo versus Battling Charles Barnett, was displayed to a paying audience, at a makeshift theater in a storefront at 153 Broadway (a couple blocks up from Wall Street).


Believe it or not, boxing films were all the rage in these infant years of the motion picture business as they were easy to film (compared to a baseball game) and featured name performers in an era before actual movie stars.

“The film offered topicality that previous productions had not,” said author Dan Streible in his book Fight Pictures: A History of Boxing and Early Cinema. “If such reenactments could be marketed quickly, their commercial value could exceed that of unofficial match-ups created solely for the movies.”

The film was also a huge hit that summer on Coney Island, projected in a tent on Surf Avenue.

No extant copy of Young Griffo v. Battling Charles Barnett has been found.


Young Griffo (pictured above) did not get to see the film himself as he had been arrested in Philadelphia and was extradited to New York City “to answer charges of a serious nature which are preferred by the Society of Prevention of Cruelty to Children.” He would eventually serve one year in prison for the assault of a boy named William Gottlieb.

You can read more about the life of Young Griffo here.

Categories
Alternate Side History Podcasts

The Bowery Wizards: A History of Tattooed New York

EPISODE 323 Two tales from New York’s incredible history with the art of tattooing.

The art of tattooing is as old as written language but it would require the contributions of a few 19th century New York tattoo artists — and a young inventor with no tattoos whatsoever — to take this ancient art to the next level.

The first documented tattoo parlor (or atelier) in the United States was a small second-floor place near the East River waterfront and close to the site of the Brooklyn Bridge.

But as more sailors and seamen — the principal customers for tattoo purveyors — came to New York, more would-be tattoo artists opened shops. By the 1880s, there were a great number of professional tattooists, scattered along the waterfront and up along the Bowery.

Meanwhile, over in Brooklyn, sailors in need of a fresh tattoo could head to small shops in Coney Island or near the Brooklyn Navy Yard.

In this episode, Greg shares two tales from the New York City tattoo history:

An unsuccessful Thomas Edison invention becomes a revolutionary device for tattoo artists. The electric tattoo machine was first perfected in a tiny tattoo parlor underneath a New York elevated train in Chatham Square.

Believe it or not, tattooing was outlawed in New York City in 1961! And would remain so for 36 years. How is that even possible in a city with a vibrant music scene and iconic venues like CBGB just steps from the heart of Manhattan’s old tattooing industry?

To get this episode, simply download it for FREE from iTunes or other podcasting services.

Or listen to it straight from here:
THE BOWERY WIZARDS: A HISTORY OF 19th CENTURY TATTOOING

“The Tattooing Fad Has Reached New York” — In fact tattoo artists had been in New York for over three decades by this time.

Bodies of Subversion/Powerhouse Books

Charles’ brother Stephen was a sideshow performer and a tattoo artist himself.

Reginald Marsh’s 1932 painting Tattoo and Haircut / Met Museum
Andreas Feininger’s classic 1940 photograph of a man sitting in front of a Bowery tattoo parlor. Courtesy NYHS

A tattoo parlor from the 1950s

Courtesy MCNY
The Brooklyn tattoo parlor operated by Coney Island Freddie (featured on the show). Courtesy New-York Historical Society

Daredevil Tattoo, at 141 Division St in Manhattan, has a mini tattoo museum with some artifacts that were mentioned in the show.

Flickr/Robby Virus

Special thanks to the New-York Historical Society who hosted a very inspirational exhibition on tattooing history — Tattooed New York — and to the South Street Seaport Museum who have displayed the Alan Govenar & Kaleta Doolin Tattoo Collection at a recent show.

For more information on the history of tattooing, visit the marvelous Tattoo Archive.

Categories
Film History Podcasts

Nickelodeons and Movie Palaces: New York and the Film Industry 1893-1920

The historic movie studio Kaufman Astoria Studios opened 100 years ago this year in Astoria, Queens. It remains a vital part of New York City’s entertainment industry with both film and television shows still made there to this day. The Museum of the Moving Image resides next door in a former studio building.

To honor this anniversary, we are re-issuing one of our favorite shows from the back catalog — New York City and the birth of the film industry.


New York City inspires cinema, but it has also consistently manufactured it. Long before anybody had heard of Hollywood, New York and the surrounding region was a capital for movies, the home to the earliest American film studios and the inventors who revolutionized the medium.

It began with Thomas Edison‘s invention of the Kinetoscope out in his New Jersey laboratory. Soon his former employees would spread out through New York, evolving the inventor’s work into entertainments that could be projected in front of audiences.

The uniform, industrial look of a Kinetoscope parlor, almost like a room of slot machines. The one above is probably from San Francisco, not New York, but the first ever parlor, which was located at Broadway and 27th Street, would have looked much like this one/Edison Historical Site

By the mid 1900s, New Yorkers fell in love with nickelodeons and gasped as their first look at moving pictures. Along the way, films were made in locations all throughout the city — from the rooftop of Madison Square Garden to a special super-studio in the Bronx.

This is a special ‘director’s cut’ of a podcast we first released on February 18, 2011.

This is the story of second and third acts — both for an woman of grit and independent spirit and for a landmark with a million stories to tell (and a million more to come).

LISTEN NOW — NICKELODEONS AND MOVIE PALACES: NEW YORK AND THE FILM INDUSTRY 1893-1920

To get this week’s episode, simply download or stream it forFREE from iTunes, Stitcher, Spotify or other podcasting services.You can also get it straight from our satellite site.


NOTES ON THE SHOW

This show was first released on February 18, 2011.

This was an especially unusual show to arrange and represents a closely cultivated tour through New York City’s early film history.

But early movie studios spread beyond New York’s borders. Most notably, Fort Lee, NJ, became as active as New York in the 1910s, especially as the sophistication of filming processes allowed more productions to be shot outdoors and long running times meant story lines with multiple sets.

D.W. Griffith‘s first film, Rescued From An Eagles Nest, for Edison, was shot on the Fort Lee Palisades. But this wasn’t his directorial debut; he was the star of that film.  

Soon all the major studios would have locations in Fort Lee and other places along the New Jersey coast. You can find more information on Fort Lee’s contributions to cinema at the Fort Lee Film Commission.  

Places To Visit: Your first stop should be the Museum of the Moving Image in Astoria, Queens, to check out their displays of early film productions. Next door is the Kaufman Astoria Studios, New York’s oldest and still active movie studio.

Edison’s laboratory in West Orange, NJ, is definitely worth the trip, and not just to see the replica of the Black Maria.

The National Park Services operates the Thomas Edison National Historical Park with tours of the laboratory complex and the Edison home Glenmont, where the inventor himself is buried.  

Tom mentioned that Edison’s first demonstration of his kinetoscope — and its first film ‘Blacksmithing Scene’ — was exhibited as the Brooklyn Institute of Arts and Sciences on May 9, 1893. That organization was the forerunner to the Brooklyn Museum.  

We planted a few specific addresses in the podcast for you to search out during one of your wandering adventures through the city. See if you can find the plaque at Macy’s honoring the theater that once stood there, Koster and Bial’s Music Hall, and occasion of the debut of Edison’s Vitascope.

One of the first modern movie houses, the Regent Theatre in Harlem, is still around, but it’s no longer a theater. It’s owned by the First Corinthian Baptist Church.  

Other Sources: For a clearer picture of early film history, you should supplement this podcast with the first three parts of the TCM documentary Moguls and Movie Stars, their mini-series on the history of the movies.

The best place find some of these very early films is the Library of Congress, which includes a wonderful page on early on-location pictures, The Life of a City: Early Films of New York 1898-1906.  

Richard Koszarski’s extensive survey of the region’s contribution to the movies, ‘Hollywood On The Hudson‘, essentially starts where we leave off. David Robinson’s ‘From Peep Show To Palace’, with an introduction by Martin Scorsese, puts New York’s role into international context.

You can also check out Paul Clee’s ‘Before Hollywood: From Shadow Play To Silver Screen‘.

This hideous looking shed is actually America’s first film studio — the Black Maria at Thomas Edison’s West Orange laboratory. Thomas Edison National Historical Park (Wiki Commons/Acroterion)
From inside Edison’s Bronx studio

Here’s a few of the films we mentioned in our podcast this week. These were all filmed in New York or New Jersey.

Eugen Sandow, an early discovery of Florenz Ziegfeld and one of the first stars of moving pictures

DW Griffith’s ‘Father Gets In The Game’, with Mack Sennett, filmed in Central Park

‘Those Awful Hats’, a Griffith creation, with a movie within a movie

And finally, ‘Musketeers of Pig Alley’, arguably the first ‘gangster’ movie (allegedly using real members of New York gangs), although organized crime looked quite different pre-Prohibition, and sticklers might balk at that distinction.

Categories
Holidays

Easter in Old New York: The Fifth Avenue Fashion Stroll

In the picture above: People in Sunday finery stroll past the New York Public Library building. The library had not even been open two years by the time this picture was taken in March 23, 1913.

New York City’s time-honored Easter custom — the Sunday morning Fifth Avenue Easter bonnet stroll — once turned the wealthiest residents of Fifth Avenue into primping peacocks, their Sunday best on display.

The makeshift parade, which some believe traces back to New York’s Dutch days, blossomed into a full-assault of expensive headwear once the upper crust made Fifth Avenue their home.

Thousands lined the street, either brandishing their most expensive apparel or else to gawk at those wearing it. It was the closest New York got to a high-end fashion show, with dressmakers parked on the corner, taking notes.

“All the women were slim who could be,” remarked the New York Tribune’s fashion writer, “and a few were who couldn’t.”

But the 1910s brought a new accessory to the Easter parade — automobiles.

A decade before, there were probably no more than 1,000 automobiles in all of New York City. By 1913, there were enough to create what must have been Fifth Avenue’s very first automobile traffic jam.

All the photographs featured here are from Easter Sundays, between 1912 and 1915 (images courtesy the Bain Collection/Library of Congress.

The magnificent Enrico Caruso even participated in the Easter stroll. He looks fanciful in his top hat and a bit like Batman villain the Penguin.

Apparently it was an unseasonably cold day that Easter in 1913 and most society women, braving the chill, wrapped up their fine gowns in heavy wraps and coats of various animal skin.  “Furs and pink noses” was the fashion assessment, according to the Tribune.

Still, in the sea of coats and curious hats, one woman managed to make an impression. “LADY IN VERMILION AN EASTER CUBIST‘ cried the newspaper the following day — on its front page, no less.  “…[W]ho was the young lady in bright vermilion, with lips of a vivid purple, who talked excitedly to hide her shivering as she passed St. Patrick’s Cathedral?”

The New York Tribune ran this banner photograph the following day. (Note the dog in the corner.) Sadly I don’t believe any of these ladies was the aforementioned ‘vermilion lady’:

Of course, there’s still an annual Easter bonnet parade; it’s smaller but far more flamboyant.

Pictures courtesy Library of Congress